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ELIZABETH MURRAY

BIOGRAPHY
Artist Art Brokerage: Elizabeth Murray American Artist. 1940-2007. Motion is the subject of Elizabeth Murray's art. Pressure, pushing, and pulling are words frequently used to describe inner struggle as well as the relationship between internal elements and external boundaries. Using domestic objects to create environments of motion, she creates chaotic abstract combinations in which jumbled chairs, shoes, cups, and tables interact in space evoking a feeling of domestic tension. The subject of her work exposes her female experience and perspective, yet Murray insists that the primacy of her work is formal. Here, Murray's emotional projection onto the cup, and the cup's taking on its own emotional life are set in a context of Murray's intellectual concerns: the formal challenge of allowing the structure of the cup to remain fragmented while it defines the table and the room. Elizabeth Murray has built larger and more complicated shaped surfaces, on and into which she devises illusion and deconstructs objects, the tension between inner and outer worlds extends beyond Murray, into the viewer's world: "the viewer is required to reconcile physical and visual forms with narrative." It is through this interplay of the internal and external, and their ambiguous boundaries, that tension seeks release. The resulting pushing and pulling thus creates a visual perpetual motion between the images, the surfaces, the objects, and the mysteries of Elizabeth Murray's work. The relationship between the internal and exterior worlds is always left a bit uncertain as to the dialog between the form, the meaning, and the boundaries of each. Elizabeth Murray acknowledges the significant influence of comics in her work, which most often comments not on popular issues, but personal events. At the same time her cartoon-like forms connect her to 60's Pop icon status.

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Elizabeth Murray

"Mostly Mozart PP"

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Silkscreen

30 x 40 in  |  76 x 102 cm
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Willem De Kooning

"Clam Digger 1966"

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Ed Moses

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Lemon or Egg paintings

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"Lemon or Egg paintings"

Peinture Originale

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Robert Motherwell

"Roth-Handle 1975"

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Aquatint and Collage

20 x 16 in  |  51 x 41 cm
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Original Paintings

Wayne Thiebaud

"Original Paintings"

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Helen Frankenthaler

"Day One 1987"

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Intaglio Colour Aquatint, Sugar Lift Etching, Etching And Drypoint

25 x 24 in  |  64 x 61 cm
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Original Paintings

Pat Steir

"Original Paintings"

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Helen Frankenthaler

"Tribal Sign 1987"

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Lithograph

24 x 19 in  |  61 x 47 cm
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Donald Sultan

"Still Life With Pears: March 28th, 1988"

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All Early Work 60

Helen Frankenthaler

"All Early Work 60's 70's"

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Canvas

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Donald Sultan

"Black Poppies 2007"

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Screen Print and Flocking

24 x 24 in  |  61 x 60 cm
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Donald Sultan

"Black and Red, April 25, 2007"

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Silkscreen Ink and Flocking on Museum Board

24 x 24 in  |  61 x 61 cm
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Donald Sultan

"Mimosa 2006"

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Etching, Aquatint, and Screenprint

27 x 39 in  |  69 x 99 cm
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Jim Dine

"Imprint From Dorian Gray's Stomach"

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Lithograph

12 x 18 in  |  30 x 46 cm
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Robert Motherwell

"Tricolor 1973"

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Lithograph on Arches Cover Paper with Deckled Edge

22 x 14 in  |  56 x 36 cm
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All work

Wayne Thiebaud

"All work"

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Helen Frankenthaler

"Yellow Jack 1985"

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Lithograph w/ Hand Stenciling

30 x 38 in  |  76 x 97 cm
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Robert Motherwell

"House of Atreus 1983"

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Etching and Aquatint

13 x 11 in  |  32 x 27 cm
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Jim Dine

"Fraser Gallery Exhibition 1966"

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Serigraph and Screenprint

33 x 21 in  |  84 x 53 cm
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Helen Frankenthaler

"Southern Exposure 2005"

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Screenprint

31 x 37 in  |  77 x 94 cm
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Hand Signed original prints

Robert Motherwell

"Hand Signed original prints"

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Lithographs

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Buying for Inventory

Chuck Close

"Buying for Inventory"

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Robert Motherwell

"London Series I: Untitled (Red) AP 1971"

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Screenprint on Double Elephant Paper

41 x 28 in  |  104 x 71 cm
$9,400 USD OBO
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Early Original Paintings

Ed Moses

"Early Original Paintings"

Peinture Originale

Canvas

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