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ELIZABETH MURRAY

BIOGRAPHY
Artist Art Brokerage: Elizabeth Murray American Artist. 1940-2007. Motion is the subject of Elizabeth Murray's art. Pressure, pushing, and pulling are words frequently used to describe inner struggle as well as the relationship between internal elements and external boundaries. Using domestic objects to create environments of motion, she creates chaotic abstract combinations in which jumbled chairs, shoes, cups, and tables interact in space evoking a feeling of domestic tension. The subject of her work exposes her female experience and perspective, yet Murray insists that the primacy of her work is formal. Here, Murray's emotional projection onto the cup, and the cup's taking on its own emotional life are set in a context of Murray's intellectual concerns: the formal challenge of allowing the structure of the cup to remain fragmented while it defines the table and the room. Elizabeth Murray has built larger and more complicated shaped surfaces, on and into which she devises illusion and deconstructs objects, the tension between inner and outer worlds extends beyond Murray, into the viewer's world: "the viewer is required to reconcile physical and visual forms with narrative." It is through this interplay of the internal and external, and their ambiguous boundaries, that tension seeks release. The resulting pushing and pulling thus creates a visual perpetual motion between the images, the surfaces, the objects, and the mysteries of Elizabeth Murray's work. The relationship between the internal and exterior worlds is always left a bit uncertain as to the dialog between the form, the meaning, and the boundaries of each. Elizabeth Murray acknowledges the significant influence of comics in her work, which most often comments not on popular issues, but personal events. At the same time her cartoon-like forms connect her to 60's Pop icon status.

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Elizabeth Murray

"Mostly Mozart PP"

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Silkscreen

30 x 40 in  |  76 x 102 cm
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Jim Dine

"Two Hearts At Sunset 2005"

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Lithograph

19 x 26 in  |  48 x 65 cm
$3,200 USD OBO
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Buying for Inventory

Chuck Close

"Buying for Inventory"

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Donald Sultan

"Mimosa 2006"

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Etching, Aquatint, and Screenprint

27 x 39 in  |  69 x 99 cm
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Robert Motherwell

"Africa Suite: Africa 2 1970"

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Screenprint

41 x 28 in  |  104 x 71 cm
$11,900 USD OBO
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Ed Moses

"Untitled PP"

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Lithograph

14 x 17 in  |  35 x 43 cm
$2,800 USD OBO
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Robert Motherwell

"Peace 1970"

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Silkscreen

26 x 21 in  |  66 x 53 cm
$7,500 USD OBO
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Early Paintings

Peter Alexander

"Early Paintings"

Peinture Originale

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Willem De Kooning

"Man and the Big Blonde"

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Lithograph

21 x 27 in  |  54 x 69 cm
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Donald Sultan

"Still Life With Pears: March 28th, 1988"

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Lithograph

21 x 21 in  |  53 x 53 cm
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Jim Dine

"Colorful Venus and Neptune 1992"

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Woodcut Diptych

67 x 42 in  |  171 x 107 cm
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Wayne Thiebaud

"Candy Counter State 1 1970"

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Linocut

22 x 30 in  |  56 x 76 cm
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Donald Sultan

"Acanthus 1994"

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Silkscreen on Sommerset Paper

22 x 23 in  |  56 x 58 cm
$2,600 USD OBO
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All Early Work 60

Helen Frankenthaler

"All Early Work 60's 70's"

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Canvas

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All work

Wayne Thiebaud

"All work"

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Jim Dine

"Wolfman (Wall) 1967"

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Aquatint Etching

31 x 22 in  |  79 x 56 cm
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Jim Dine

"Sitting with Me Red 1996"

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Intaglio Print

59 x 42 in  |  149 x 107 cm
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Jim Dine

"Calla Lilies, Verona III 1992"

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Woodcut, Aquatint, and Drypoint in Colors

31 x 27 in  |  79 x 69 cm
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Early Paintings

Ed Moses

"Early Paintings"

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Robert Motherwell

"Harvest with Blue Bottom (From Summer Light Series) 1973"

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Lithograph and Collage

36 x 18 in  |  91 x 46 cm
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Jim Dine

"Heart For Film Forum 1990"

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Woodcut

23 x 17 in  |  58 x 43 cm
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Robert Motherwell

"Capriccio 1961"

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Collotype and Silkscreen

25 x 16 in  |  64 x 39 cm
$5,500 USD OBO
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