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ELIZABETH MURRAY

BIOGRAPHY
Artist Art Brokerage: Elizabeth Murray American Artist. 1940-2007. Motion is the subject of Elizabeth Murray's art. Pressure, pushing, and pulling are words frequently used to describe inner struggle as well as the relationship between internal elements and external boundaries. Using domestic objects to create environments of motion, she creates chaotic abstract combinations in which jumbled chairs, shoes, cups, and tables interact in space evoking a feeling of domestic tension. The subject of her work exposes her female experience and perspective, yet Murray insists that the primacy of her work is formal. Here, Murray's emotional projection onto the cup, and the cup's taking on its own emotional life are set in a context of Murray's intellectual concerns: the formal challenge of allowing the structure of the cup to remain fragmented while it defines the table and the room. Elizabeth Murray has built larger and more complicated shaped surfaces, on and into which she devises illusion and deconstructs objects, the tension between inner and outer worlds extends beyond Murray, into the viewer's world: "the viewer is required to reconcile physical and visual forms with narrative." It is through this interplay of the internal and external, and their ambiguous boundaries, that tension seeks release. The resulting pushing and pulling thus creates a visual perpetual motion between the images, the surfaces, the objects, and the mysteries of Elizabeth Murray's work. The relationship between the internal and exterior worlds is always left a bit uncertain as to the dialog between the form, the meaning, and the boundaries of each. Elizabeth Murray acknowledges the significant influence of comics in her work, which most often comments not on popular issues, but personal events. At the same time her cartoon-like forms connect her to 60's Pop icon status.

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Elizabeth Murray

"Mostly Mozart PP"

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Silkscreen

30 x 40 in  |  76 x 102 cm
$2,500 USD OBO
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Early Original Paintings

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"Lincoln Center Mostly Mozart, 25th Anniversary Poster 1991"

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40 x 29 in  |  102 x 74 cm
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Buying for Inventory

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"Buying for Inventory"

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Chuck Close

"Phil Silk Tapestry 1991"

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Silk Tapestry

51 x 39 in  |  130 x 99 cm
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Original Paintings

Pat Steir

"Original Paintings"

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Robert Motherwell

"House of Atreus 1983"

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Etching and Aquatint

13 x 11 in  |  32 x 27 cm
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Early Paintings

Peter Alexander

"Early Paintings"

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"Day One 1987"

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25 x 24 in  |  64 x 61 cm
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Helen Frankenthaler

"Yellow Jack 1985"

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Lithograph w/ Hand Stenciling

30 x 38 in  |  76 x 97 cm
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Original Paintings

Wayne Thiebaud

"Original Paintings"

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Lithographs

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Donald Sultan

"Monarchs Suite "

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Silkscreens on Rising Museum Board

38 x 38 in  |  97 x 97 cm
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Hand Signed original prints

Robert Motherwell

"Hand Signed original prints"

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Lithographs

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All work

Wayne Thiebaud

"All work"

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Helen Frankenthaler

"Aerie 2009"

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Silkscreen

30 x 39 in  |  76 x 99 cm
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Jim Dine

"Eight Little Nudes 1982"

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Softground Etching, Drypoint and Aquatint

29 x 23 in  |  74 x 58 cm
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Donald Sultan

"Red and Black, April 25, 2007"

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Silkscreen Ink and Flocking on Museum Board

24 x 24 in  |  61 x 61 cm
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Donald Sultan

"Acanthus 1994"

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Silkscreen on Sommerset Paper

22 x 23 in  |  56 x 58 cm
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Helen Frankenthaler

"Flotilla 2006"

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Serigraph and Silkscreen

31 x 37 in  |  79 x 93 cm
$9,000 USD OBO
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Chuck Close

"Al Gore 2000"

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Digital Archival Inkjet Print

24 x 19 in  |  60 x 49 cm
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Ed Moses

"Untitled PP"

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Lithograph

14 x 17 in  |  35 x 43 cm
$2,800 USD OBO
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Donald Sultan

"Monarchs PP 2006"

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Screenprint With Flocking

38 x 38 in  |  97 x 97 cm
$2,900 USD OBO
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Jim Dine

"A Heart At the Opera 1984"

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Lithograph in 10 Colors on Dieu Donne Handmade Paper

50 x 38 in  |  127 x 97 cm
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Robert Motherwell

"Elegy Fragment II 1985"

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Aquatint Etching Printed in Light Salmon And Black

35 x 24 in  |  89 x 61 cm
$6,000 USD Make Offer
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All Early Work 60

Helen Frankenthaler

"All Early Work 60's 70's"

Peinture Originale

Canvas

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Wayne Thiebaud

"Sea Thing 1959"

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Serigraph

19 x 23 in  |  48 x 57 cm
$2,400 USD OBO
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