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ELIZABETH MURRAY

BIOGRAPHY
Artist Art Brokerage: Elizabeth Murray American Artist. 1940-2007. Motion is the subject of Elizabeth Murray's art. Pressure, pushing, and pulling are words frequently used to describe inner struggle as well as the relationship between internal elements and external boundaries. Using domestic objects to create environments of motion, she creates chaotic abstract combinations in which jumbled chairs, shoes, cups, and tables interact in space evoking a feeling of domestic tension. The subject of her work exposes her female experience and perspective, yet Murray insists that the primacy of her work is formal. Here, Murray's emotional projection onto the cup, and the cup's taking on its own emotional life are set in a context of Murray's intellectual concerns: the formal challenge of allowing the structure of the cup to remain fragmented while it defines the table and the room. Elizabeth Murray has built larger and more complicated shaped surfaces, on and into which she devises illusion and deconstructs objects, the tension between inner and outer worlds extends beyond Murray, into the viewer's world: "the viewer is required to reconcile physical and visual forms with narrative." It is through this interplay of the internal and external, and their ambiguous boundaries, that tension seeks release. The resulting pushing and pulling thus creates a visual perpetual motion between the images, the surfaces, the objects, and the mysteries of Elizabeth Murray's work. The relationship between the internal and exterior worlds is always left a bit uncertain as to the dialog between the form, the meaning, and the boundaries of each. Elizabeth Murray acknowledges the significant influence of comics in her work, which most often comments not on popular issues, but personal events. At the same time her cartoon-like forms connect her to 60's Pop icon status.

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Elizabeth Murray

"Mostly Mozart PP"

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Silkscreen

30 x 40 in  |  76 x 102 cm
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Early Paintings

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"Spoleto Festival, Italy 1968"

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39 x 27 in  |  99 x 69 cm
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Chuck Close

"Buying for Inventory"

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Willem De Kooning

"Man And The Big Blonde"

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Etching

21 x 27 in  |  54 x 69 cm
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Donald Sultan

"Black and Red, April 25, 2007"

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24 x 24 in  |  61 x 61 cm
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Helen Frankenthaler

"Solar Imp 2001"

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Serigraph on Paper

39 x 30 in  |  99 x 76 cm
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Robert Motherwell

"Peace Portfolio I: Untitled 1970"

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Screenprint

26 x 21 in  |  66 x 53 cm
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Robert Motherwell

" Nocturne VI 1988"

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Lithograph

25 x 21 in  |  64 x 54 cm
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Robert Motherwell

"Soot Black Stone 3 1973"

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Lithograph

48 x 24 in  |  122 x 61 cm
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Robert Motherwell

"Harvest with Two White Stripes 1973"

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Lithograph and Collage

36 x 18 in  |  91 x 46 cm
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All Early Work 60

Helen Frankenthaler

"All Early Work 60's 70's"

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Canvas

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Donald Sultan

"Green Flowers 1994"

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Lithograph

11 x 9 in  |  28 x 23 cm
$3,200 USD
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Robert Motherwell

"Untitled (Trapeze Open) 1972"

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Aquatint Etching

24 x 20 in  |  61 x 51 cm
$9,400 USD OBO
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All work

Wayne Thiebaud

"All work"

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Hand Signed original prints

Robert Motherwell

"Hand Signed original prints"

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Lithographs

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Jim Dine

"Tool Box II 1966"

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Screenprint

24 x 18 in  |  61 x 46 cm
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Jim Dine

"Boy and Owl 2000 (Pinocchio)"

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Etching and col ograph with hand coloring

63 x 40 in  |  159 x 102 cm
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Jim Dine

"Running Hammers in a Landscape 1987"

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Hand Colored Etching

33 x 55 in  |  84 x 141 cm
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Robert Motherwell

"Mostly Mozart Festival 1991"

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Lithograph and Screenprint

39 x 29 in  |  99 x 74 cm
$2,000 USD Firm
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Early Paintings

Peter Alexander

"Early Paintings"

Peinture Originale

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