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ELIZABETH MURRAY

BIOGRAPHY
Artist Art Brokerage: Elizabeth Murray American Artist. b. 1940-2007. Motion is the subject of Elizabeth Murray's art. Pressure, pushing, and pulling are words frequently used to describe inner struggle as well as the relationship between internal elements and external boundaries. Using domestic objects to create environments of motion, she creates chaotic abstract combinations in which jumbled chairs, shoes, cups, and tables interact in space evoking a feeling of domestic tension. The subject of her work exposes her female experience and perspective, yet Murray insists that the primacy of her work is formal. Here, Murray's emotional projection onto the cup, and the cup's taking on its own emotional life are set in a context of Murray's intellectual concerns: the formal challenge of allowing the structure of the cup to remain fragmented while it defines the table and the room. Elizabeth Murray has built larger and more complicated shaped surfaces, on and into which she devises illusion and deconstructs objects, the tension between inner and outer worlds extends beyond Murray, into the viewer's world: "the viewer is required to reconcile physical and visual forms with narrative." It is through this interplay of the internal and external, and their ambiguous boundaries, that tension seeks release. The resulting pushing and pulling thus creates a visual perpetual motion between the images, the surfaces, the objects, and the mysteries of Elizabeth Murray's work. The relationship between the internal and exterior worlds is always left a bit uncertain as to the dialog between the form, the meaning, and the boundaries of each. Elizabeth Murray acknowledges the significant influence of comics in her work, which most often comments not on popular issues, but personal events. At the same time her cartoon-like forms connect her to 60's Pop icon status.

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Elizabeth Murray

" Thybid 2004"

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Lithograph

16 x 13 in  |  41 x 33 cm
$2,400 USD
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Jim Dine

"Ties 1970"

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Edition of 150

31 x 22 in  |  79 x 56 cm
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Donald Sultan

"Mimosas"

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Etching, Aquatint and Screenprint

27 x 39 in  |  69 x 99 cm
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Original Paintings

Pat Steir

"Original Paintings"

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Jim Dine

"New French Tools I - Wise 1984"

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Intaglio Hard Ground Etching, Drypoint, Aquatint

18 x 16 in  |  46 x 41 cm
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Robert Motherwell

"Five Circles AP 1972"

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Large Lithograph

40 x 28 in  |  102 x 71 cm
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Donald Sultan

"Three Lemons and Egg 1989"

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Aquatint

x in  |  0 x 0 cm
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Robert Motherwell

" Spoleto Festival Poster Italy 1968"

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Screenprint on American Etching Paper

39 x 27 in  |  99 x 69 cm
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Donald Sultan

"Green Apples and Egg 2000"

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Silkscreen

36 x 36 in  |  91 x 91 cm
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Helen Frankenthaler

"Mauve Corner Variation II 1969"

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Lithograph on Chatham British Paper

14 x 17 in  |  36 x 43 cm
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Early Paintings

Peter Alexander

"Early Paintings"

Peinture Originale

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Jim Dine

"Blue Heart 2005"

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Lithograph

25 x 19 in  |  64 x 48 cm
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Jim Dine

"Ginger And Univ 1996"

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Woodcut, Calligraphy And Photogravure on Paper

29 x 23 in  |  74 x 58 cm
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Early Paintings

Ed Moses

"Early Paintings"

Peinture Originale

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Jim Dine

"New French Tools 3 For Pep 1984"

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Lithograph

24 x 20 in  |  61 x 51 cm
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All Early Work 60

Helen Frankenthaler

"All Early Work 60's 70's"

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Canvas

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Donald Sultan

"Dried Red Roses 1994"

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Lithograph

12 x 9 in  |  30 x 23 cm
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Jim Dine

"Bather 2005"

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Lithograph

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Lemon or Egg paintings

Donald Sultan

"Lemon or Egg paintings"

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Donald Sultan

"After Matisse"

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Lithograph

16 x 16 in  |  41 x 41 cm
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Original Paintings

Wayne Thiebaud

"Original Paintings"

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Lithographs

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Jim Dine

"Black Ink Robe 2005"

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Lithograph

25 x 19 in  |  64 x 48 cm
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Early Original Paintings

Ed Moses

"Early Original Paintings"

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Canvas

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Jim Dine

"Self Portrait 1964"

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Etching

22 x 17 in  |  56 x 43 cm
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Robert Motherwell

"New York Cultural Institutions 1982"

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Silkscreen With Embossing

30 x 22 in  |  76 x 56 cm
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Hand Signed original prints

Robert Motherwell

"Hand Signed original prints"

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Lithographs

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All work

Wayne Thiebaud

"All work"

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Buying for Inventory

Chuck Close

"Buying for Inventory"

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