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ELIZABETH MURRAY

BIOGRAPHY
Artist Art Brokerage: Elizabeth Murray American Artist. 1940-2007. Motion is the subject of Elizabeth Murray's art. Pressure, pushing, and pulling are words frequently used to describe inner struggle as well as the relationship between internal elements and external boundaries. Using domestic objects to create environments of motion, she creates chaotic abstract combinations in which jumbled chairs, shoes, cups, and tables interact in space evoking a feeling of domestic tension. The subject of her work exposes her female experience and perspective, yet Murray insists that the primacy of her work is formal. Here, Murray's emotional projection onto the cup, and the cup's taking on its own emotional life are set in a context of Murray's intellectual concerns: the formal challenge of allowing the structure of the cup to remain fragmented while it defines the table and the room. Elizabeth Murray has built larger and more complicated shaped surfaces, on and into which she devises illusion and deconstructs objects, the tension between inner and outer worlds extends beyond Murray, into the viewer's world: "the viewer is required to reconcile physical and visual forms with narrative." It is through this interplay of the internal and external, and their ambiguous boundaries, that tension seeks release. The resulting pushing and pulling thus creates a visual perpetual motion between the images, the surfaces, the objects, and the mysteries of Elizabeth Murray's work. The relationship between the internal and exterior worlds is always left a bit uncertain as to the dialog between the form, the meaning, and the boundaries of each. Elizabeth Murray acknowledges the significant influence of comics in her work, which most often comments not on popular issues, but personal events. At the same time her cartoon-like forms connect her to 60's Pop icon status.

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Elizabeth Murray

"Mostly Mozart PP"

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Silkscreen

30 x 40 in  |  76 x 102 cm
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Jim Dine

"From Ten Winter Tools 1973"

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Robert Motherwell

"Nocturne II 1988"

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Lithograph

25 x 21 in  |  64 x 54 cm
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Robert Motherwell

"Peace Portfolio I: Untitled 1970"

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Screenprint

26 x 21 in  |  66 x 53 cm
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Helen Frankenthaler

"Untitled 1987"

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26 x 18 in  |  66 x 46 cm
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Jim Dine

"Colors + Flower 1973"

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Hand-Colored Etching

17 x 20 in  |  43 x 51 cm
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Jim Dine

"Ties 1970"

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Edition of 150

31 x 22 in  |  79 x 56 cm
$5,000 USD
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Helen Frankenthaler

"Madame De Pompadour 1985"

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Lithograph

44 x 30 in  |  110 x 75 cm
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All work

Wayne Thiebaud

"All work"

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Early Paintings

Ed Moses

"Early Paintings"

Peinture Originale

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Willem De Kooning

"Man And The Big Blonde"

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Etching

21 x 27 in  |  54 x 69 cm
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Early Paintings

Peter Alexander

"Early Paintings"

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Robert Motherwell

"Tricolor 1973"

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Lithograph on Arches Cover Paper with Deckled Edge

22 x 14 in  |  56 x 36 cm
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Robert Motherwell

"America, La France Variation 1983"

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Lithograph and Collage

46 x 32 in  |  117 x 80 cm
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Willem De Kooning

"Washington Monument"

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Lithograph

32 x 24 in  |  81 x 61 cm
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Robert Motherwell

"Mexican Elegy, From the Octavio Paz Suite 1987"

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Lithograph

23 x 28 in  |  58 x 71 cm
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Original Paintings

Wayne Thiebaud

"Original Paintings"

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Hand Signed original prints

Robert Motherwell

"Hand Signed original prints"

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Jim Dine

"Bather 2005"

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Lithograph

25 x 19 in  |  64 x 48 cm
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Jim Dine

"Fraser Gallery Exhibition 1966"

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Serigraph and Screenprint

33 x 21 in  |  84 x 53 cm
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Robert Motherwell

"London Series I: Untitled (Red) AP 1971"

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Screenprint on Double Elephant Paper

41 x 28 in  |  104 x 71 cm
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Original Paintings

Pat Steir

"Original Paintings"

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