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ELIZABETH MURRAY

BIOGRAPHY
Artist Art Brokerage: Elizabeth Murray American Artist. 1940-2007. Motion is the subject of Elizabeth Murray's art. Pressure, pushing, and pulling are words frequently used to describe inner struggle as well as the relationship between internal elements and external boundaries. Using domestic objects to create environments of motion, she creates chaotic abstract combinations in which jumbled chairs, shoes, cups, and tables interact in space evoking a feeling of domestic tension. The subject of her work exposes her female experience and perspective, yet Murray insists that the primacy of her work is formal. Here, Murray's emotional projection onto the cup, and the cup's taking on its own emotional life are set in a context of Murray's intellectual concerns: the formal challenge of allowing the structure of the cup to remain fragmented while it defines the table and the room. Elizabeth Murray has built larger and more complicated shaped surfaces, on and into which she devises illusion and deconstructs objects, the tension between inner and outer worlds extends beyond Murray, into the viewer's world: "the viewer is required to reconcile physical and visual forms with narrative." It is through this interplay of the internal and external, and their ambiguous boundaries, that tension seeks release. The resulting pushing and pulling thus creates a visual perpetual motion between the images, the surfaces, the objects, and the mysteries of Elizabeth Murray's work. The relationship between the internal and exterior worlds is always left a bit uncertain as to the dialog between the form, the meaning, and the boundaries of each. Elizabeth Murray acknowledges the significant influence of comics in her work, which most often comments not on popular issues, but personal events. At the same time her cartoon-like forms connect her to 60's Pop icon status.

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Elizabeth Murray

"Mostly Mozart PP"

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Silkscreen

30 x 40 in  |  76 x 102 cm
$2,500 USD OBO
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Robert Motherwell

"Untitled (Open) 1975"

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Aquatint and Etching on Arches Paper

30 x 22 in  |  76 x 56 cm
$9,400 USD OBO
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Helen Frankenthaler

"Sudden Snow 1979 PP #1"

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Lithograph

32 x 23 in  |  81 x 59 cm
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Jim Dine

"Yellow Belt 2005"

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Woodcut With Lithograph

25 x 20 in  |  64 x 51 cm
$5,100 USD OBO
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Hand Signed original prints

Robert Motherwell

"Hand Signed original prints"

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Lithographs

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Robert Motherwell

" Tricolor 137 1973"

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Lithograph

22 x 14 in  |  56 x 36 cm
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Early Paintings

Peter Alexander

"Early Paintings"

Peinture Originale

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Donald Sultan

"Five Objects"

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Suite of 4 Screenprints with 22k Goldleaf

21 x 20 in  |  53 x 51 cm
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Jim Dine

"New French Tools I - Wise 1984"

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Intaglio Hard Ground Etching, Drypoint, Aquatint

18 x 16 in  |  46 x 41 cm
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Buying for Inventory

Chuck Close

"Buying for Inventory"

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Lemon or Egg paintings

Donald Sultan

"Lemon or Egg paintings"

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Jim Dine

"Sitting with Me Gray 1996 "

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Intaglio Print

59 x 42 in  |  149 x 107 cm
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Chuck Close

"Untitled from Doctors of the World portfolio 2001"

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Digital Ink Jet Print

15 x 24 in  |  38 x 61 cm
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Original Paintings

Wayne Thiebaud

"Original Paintings"

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Lithographs

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Jim Dine

"Bolt Cutters (2nd State) 1973"

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Etching And Aquatint on Hand Made Paper

42 x 30 in  |  107 x 76 cm
$4,000 USD OBO
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All work

Wayne Thiebaud

"All work"

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Jim Dine

"Colorful Venus and Neptune 1992"

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Woodcut Diptych

67 x 42 in  |  171 x 107 cm
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Jim Dine

"Two Hearts At Sunset 2005"

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Lithograph

19 x 25 in  |  48 x 64 cm
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All Early Work 60

Helen Frankenthaler

"All Early Work 60's 70's"

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Canvas

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Original Paintings

Pat Steir

"Original Paintings"

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Robert Motherwell

"Siren I 1988"

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Etching and Aquatint

23 x 26 in  |  57 x 66 cm
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Robert Motherwell

"House of Atreus 1983"

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Etching and Aquatint

13 x 11 in  |  32 x 27 cm
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Robert Motherwell

"A la Pintura: Blue 5 1972"

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Aquatint and Lift-Ground Etching

32 x 48 in  |  81 x 122 cm
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Early Paintings

Ed Moses

"Early Paintings"

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Chuck Close

"Phil 1976"

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Rubber Stamp Print on Strathmore 3-Ply Paper From The Rubber Stamp Portfolio

8 x 8 in  |  20 x 20 cm
$2,000 USD Firm
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