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ELIZABETH MURRAY

BIOGRAPHY
Artist Art Brokerage: Elizabeth Murray American Artist. b. 1940-2007. Motion is the subject of Elizabeth Murray's art. Pressure, pushing, and pulling are words frequently used to describe inner struggle as well as the relationship between internal elements and external boundaries. Using domestic objects to create environments of motion, she creates chaotic abstract combinations in which jumbled chairs, shoes, cups, and tables interact in space evoking a feeling of domestic tension. The subject of her work exposes her female experience and perspective, yet Murray insists that the primacy of her work is formal. Here, Murray's emotional projection onto the cup, and the cup's taking on its own emotional life are set in a context of Murray's intellectual concerns: the formal challenge of allowing the structure of the cup to remain fragmented while it defines the table and the room. Elizabeth Murray has built larger and more complicated shaped surfaces, on and into which she devises illusion and deconstructs objects, the tension between inner and outer worlds extends beyond Murray, into the viewer's world: "the viewer is required to reconcile physical and visual forms with narrative." It is through this interplay of the internal and external, and their ambiguous boundaries, that tension seeks release. The resulting pushing and pulling thus creates a visual perpetual motion between the images, the surfaces, the objects, and the mysteries of Elizabeth Murray's work. The relationship between the internal and exterior worlds is always left a bit uncertain as to the dialog between the form, the meaning, and the boundaries of each. Elizabeth Murray acknowledges the significant influence of comics in her work, which most often comments not on popular issues, but personal events. At the same time her cartoon-like forms connect her to 60's Pop icon status.

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Elizabeth Murray

" Thybid 2004"

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Lithograph

16 x 13 in  |  41 x 33 cm
$2,400 USD
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Elizabeth Murray

"Mostly Mozart PP"

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Silkscreen

30 x 40 in  |  76 x 102 cm
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Hand Signed original prints

Robert Motherwell

"Hand Signed original prints"

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Lithographs

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Robert Motherwell

"Mostly Mozart Festival 1991"

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Lithograph and Screenprint

39 x 29 in  |  99 x 74 cm
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Jim Dine

"Olympic Robe 1988"

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Lithograph

35 x 27 in  |  89 x 69 cm
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Jim Dine

"Calla Lilies, Verona I 1992"

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Woodcut, Aquatint, and Drypoint in Colors

32 x 27 in  |  81 x 69 cm
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Jim Dine

"Throat 1965"

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Screenprint

30 x 24 in  |  76 x 61 cm
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Chuck Close

"Self-Portrait 1995"

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Screenprint in Colors, on Wove Paper, with Margins

65 x 54 in  |  164 x 137 cm
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Robert Motherwell

"Untitled (Trapeze Open) 1972"

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Aquatint Etching

24 x 20 in  |  61 x 51 cm
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Donald Sultan

"Red Poppies, April 25, 2007"

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Silkscreen Ink and Flocking on Museum Board

24 x 24 in  |  61 x 61 cm
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Early Paintings

Peter Alexander

"Early Paintings"

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All work

Wayne Thiebaud

"All work"

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Robert Motherwell

"Nocturne II 1988"

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Lithograph

25 x 21 in  |  64 x 54 cm
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Pat Steir

"Self Becoming Van Gogh in a Yellow Hat #3"

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Monoprint

10 x 10 in  |  25 x 25 cm
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Early Original Paintings

Ed Moses

"Early Original Paintings"

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Canvas

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Robert Motherwell

"Cavern 1989"

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Intaglio

25 x 31 in  |  65 x 79 cm
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Original Paintings

Pat Steir

"Original Paintings"

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Robert Motherwell

" Nocturne VI 1988"

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Lithograph

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All Early Work 60

Helen Frankenthaler

"All Early Work 60's 70's"

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Canvas

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Jim Dine

"A Heart At the Opera Poster 1983"

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Lithograph

46 x 29 in  |  117 x 74 cm
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Lemon or Egg paintings

Donald Sultan

"Lemon or Egg paintings"

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Wayne Thiebaud

"Sea Thing 1959"

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Serigraph

19 x 23 in  |  48 x 57 cm
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Ed Moses

"Untitled"

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Lithograph

14 x 17 in  |  35 x 43 cm
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Jim Dine

"Imprint From Dorian Gray's Stomach"

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Lithograph

12 x 18 in  |  30 x 46 cm
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Original Paintings

Wayne Thiebaud

"Original Paintings"

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Early Paintings

Ed Moses

"Early Paintings"

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Chuck Close

"Self Portrait 2007"

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Lithograph/Silkscreen

38 x 30 in  |  97 x 76 cm
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Chuck Close

"Al Gore 2000"

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Digital Archival Inkjet Print

24 x 19 in  |  60 x 49 cm
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Chuck Close

"Buying for Inventory"

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